Tag Archives: Review

Yotam Silberstein: Future Memories

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NYC guitar player Yotam Silberstein has just released a new album called “Future Memories”. Yotam is one of the most remarkable guitar players on the Jazz scene today and he is accompanied by other extraordinary musicians foremost bass player John Patitucci.

The complete line-up is:

  • Yotam Silberstein: guitar, vocals, percussions
  • Vitor Gonçalves: piano, accordion, keyboard, percussions
  • Glenn Zaleski: piano, Fender Rhodes
  • John Patitucci: acoustic and electric bass
  • Daniel Dor: drums, percussions
  • Andre Mehmari: synthesizers

The album has been recorded in January 2018 but it needed the additional help of a crowdfunding project to finance the release of this album.

Officially released on March 1, 2019 the album contains mostly original music from Yotam Silberstein which he has been playing on tours around the world for the last couple of years. He is traveling constantly and during his travels he is also studying a lot of music, mostly the music of Brazil, Argentina, Uruguay, Peru, Venezuela, and north Africa. These influences combined with his knowledge of Jazz, Blues, Israeli and Arabic music (Yotam grew up in Tel Aviv, Israel) has merged into something very unique.

The album starts with the title song “Future Memories”, softly and relaxed with a very simple melody, the solo from Yotam Silberstein also feels very open, unintrusive but intensive at the same time, especially Daniel Dor on drums adds the extra push.  In the long outro of the song we hear Vitor Gonçalves on accordion, which gives the song the special musette feeling, all very sophisticated.

The album continues with “Matcha” a fast and pushy contemporary Jazz tune. Great solos by Yotam Silberstein, Glenn Zaleski on piano and Daniel Dor on drums. I found a video of this song:

“Wind On The Lake” is more like an impressionistic musical painting with acoustic guitar and acoustic piano background supporting the electric guitar playing the melody. After a piano solo we hear the melody again, this time with Yotam singing and playing it on the guitar. The song ends with an incredible guitar solo with great dynamics.

“Impedimento” starts with a intensive latin groove and features again Vitor Gonçalves on accordion. He and Yotam play solos on this gorgeous Brazilian samba.

“Night Walk” the next song has short intro by John Patitucci and is a softer song again with beautiful harmonies, in Latin style with John Patitucci on electric bass, Glenn Zaleski on Fender Rhodes and Andre Mehmari on synthesizers which defines the special more “electric” sound of this tune.

The next song “Capricho de Donga” is a composition by Brazilian bandolin player and composer Hamilton de Holanda and shows the virtuosity of all musicians. Solos are by Vitor Gonçalves on piano, Yotam Silberstein on guitar and John Patitucci on bass. This song is one of my favorites on the album, a great composition that requires mastery on the instrument.

“A Picture of Yafo” comes next and this composition by Yotam Silberstein follows his composition pattern with a simple melody, played this time by John Patitucci on a fretless bass,  and an open improvisation part that gives a lot of space to the soloist.

A second capricho by Hamilton de Holanda comes next. “Capricho de Espanha” sounds like an etude for the advanced student. The solo part has an open first part where Yotam Silberstein plays in harmonic minor to emphasize on the Spanish character. The second part of the solo are regular chord changes. Glenn Zaleski on piano is the second soloist. During the first part of his solo he gets great support from Yotam on guitar and Daniel Dor on drums, it sounds like Glenn and Daniel have a real similar understanding since they connect so well.

“Choro Negro”, the last song of the album, a composition by Brazilian guitar player and composer Paulinho da Viola, is a beautiful duet between Vitor Gonçalves on piano and Yotam Silberstein on electric guitar. Sometimes you don’t need more than that, a gorgeous ending of this album.

Yotam Silberstein is very proud of this album, he said: “Together with an amazing group of musicians and humans, I went into the studio in Brooklyn, NY and after 3 intense days, we came up with what I consider my best work so far.” I think he has every reason for being proud. “Future Memories” is an album with a lot of rich facets of contemporary jazz music. The sound, the compositions and the groove are heavily influenced especially by Brazilian music and sets this album apart from the Jazz mainstream.

Yotam is currently on tour in Europe, in the next 10 days he will play in the UK, Sweden, Norway, 3 x in the Netherlands, Germany, Poland and France. In November he will be in Muri AG, Switzerland, so I saved November 3, 2019 already in my calendar. More tour dates are found on Yotam’s website:

https://yotammusic.com/

A promotional video for the album is also available:

And finally a playlist on Spotify for you:

Mathias Heise & The Danish Radio Big Band: The Beast

R-12733024-1543019409-6168.jpeg Mathias Heise is a 25 year old harmonica player, pianist and composer from Denmark. He released a fantastic album of his original compositions arranged for The Danish Radio Big Band last September. The album is called ‘The Beast’ and it refers to Mathias impression of a big band: “A big band has incredible musical powers – almost like a beast that has to be tamed. But once you’ve tamed it, it can do incredible things”.

Fascinated by the sound and the possibilities of a big band it is a dream that became reality with this album. Some of the band members have been Mathias’ teachers and so we also see here the passing of the torch to the next generation of jazz musicians.

The album starts with ‘Para Mi Madre’ a soft and relaxed latin-style song Mathias has written for his mother. The tune has a great melody and a very easy groove that shows the excellence of this band. The soloists are Gerard Presencer on flugelhorn and Nicolai Schultz on flute and these two instruments emphasize the soft character. This tune is one of my favorites on the album.

Para Mi Madre (With English subtitles)

‘Brain Soup’ is the second song and this song is much more serious stuff.  Beginning with a heavy groove the brass sections play an almost improvisational melody in what Mathis Heise called ‘bombastical block harmonization’. The solo is based on modal harmonic sequences but handled perfectly by Mathias Heise. The song has a second part where Jakob Munck Mortensen sings some strange lyrics, accompanied initially by the rhythm section but ending with the brass section playing long notes and Peter Fuglsang on soprano sax improvising over these sound layers. An ambitious sound collage but performed excellently.

The album continues with the title song ‘The Beast’. It starts with the piano playing dissonant seconds over a steady pulse pushed by bass and drums. Tenor sax and a distorted guitar play the melody of the A part, the flugelhorn plays long notes in the B part of the song. The first solo goes to Per Gade on guitar followed by Karl-Martin Almqvist on tenor sax, Kaspar Vadsholt on electric bass and pianist Nikolaj Bentzon. This song features the incredible rhythm section of this big band.

Mathias Heise on harmonica returns with the next song  ‘Repetition’, an ambitious composition. Mathias says about this tune:  “The melodic DNA of ‘Repetition’ is made up of eight notes/intervals that are repeated over and over, but in new ways. The composition is inspired by the principles of the fugue, by Arnold Schönberg’s tone rows and also by Per Nørgård’s infinity series, which enabled me to construct an infinite – in principle – series of notes from the eight original ones”. And he continues: “I see the composition as a representation of the eternal repetition of life in new and beautiful ways”.

‘Evening Coffee’, dedicated to Mathias’ grandparents, is a beautiful ballad, starting with harmonica, guitar, bass and drums and the big band focusing on long notes creating harmonic layers. The first solo goes to Nicolai Schultz on flute followed by duets of flute/harmonica and guitar/harmonica.

‘One Man Army’ was written in honor of Mathias’ philosophical hero, Karl Popper. The song features Nikloaj Bentzon on piano. Bass and drums produce again a steady pulse on which harmonica and piano can rather freely improvise. The big band gets a chance to play an ‘a cappella’ interlude without rhythm section before we hear the main theme again.

One Man Army (Unfortunately Danish subtitles only)

‘Sudden Ascent’ is already the last song of Mathias Heise with the Danish Radio Big Band. Mathias says: “Sudden Ascent is one of my oldest pieces of music, which I composed back in 2013, and I’ve always dreamed of being able to arrange it for big band”. Again, drums, bass and piano provide a pushing groove, the arrangement gives all sections one more chance to shine and we hear excellent solos by Hans Ulrik on tenor sax, Søren Frost on drums in dialog with Mathias Heise on harmonica. This song ends with a great trumpet finale.

The last song on the album is like an encore: ‘Kærlighedsmusik til Anne (Love Song)’ with Mathias Heise playing piano and harmonica. A beautiful ballad in a nice ‘blue’ mood, the harmonies modulate between major and minor and the harmonica got some extra reverb creating additional space.

The songs from the album have been performed live with Mathias Heise as headliner when The Danish Radio Big Band toured Denmark last September. Every single concert received standing ovations from the audience as well as outstanding reviews. ‘The Beast’ even managed to get a full page review in one of Denmark’s biggest broadsheet newspapers ‘Politiken’, which is very rarely seen when it comes to jazz.

To sum it up: An ambitious album with a fantastic big band and a great young artist who earned to be featured this way. Mathias Heise got the chance to materialize his dream and he took this opportunity and created a masterpiece. Please listen!

And finally the album on Spotify: