Artist, CD-Reviews

John Finbury & Thalma de Freitas: Sorte!

SORTE-Digital-Cover-1

Today’s album “Sorte!” comes from composer John Finbury and singer-lyricist Thalma de Freitas.

John Finbury is a lawyer and musician from Andover, Massachusetts, who become well known in 2016 when he was earning a Latin Grammy nomination for his song “A Chama Verde” as Song of the Year. He teams up with Brazilian singer Thalma de Freitas (who wrote all the lyrics for these songs) and an all-star band featuring Vitor Gonçalves on piano, Rhodes and accordion, John Patitucci on bass, Chico Pinheiro on guitar, Duduka Da Fonseca on drums, and Rogerio Boccato and Airto Moreira on percussion.  The album was produced by Latin Grammy winner Emilio D. Miler.

The album starts with the title song “Sorte!” a relaxed and soft song with the classical sound of Bossa Nova music, an acoustic guitar and a Fender Rhodes play the harmonies, drums and percussion create a transparent and steady layer and the soft voice of Thalma completes the perfect impression. The solo is played on piano before Vitor Gonçalves returns to the Rhodes for the outro.

“Filha” is the singer’s message to her daughter and starts with vocals and acoustic guitar only. A great melody that reminds me a little bit of Sally Oldfield.  Chico Pinheiro and Thalma get sophisticated percussion support and John Patitucci has the chance to play two solo parts.

“Ondas” (which means waves) the next song is my favorite on the album. A pushing groove alternates with long notes. The highlight of the song is the incredible electric guitar solo.

“Maio” refers to the fact that Thalma de Freitas and John Finbury share the same birthday in May. The sound of this song is soft, much like we heard it before in “Filha”. Piano and vocals close this song beautifully.

“Oração” comes with a complete different mood.  Vitor Gonçalves on accordion and Chico Pinheiro on guitar create a very meditative ambience. The solo goes again to John Patitucci on bass.

A nice video has been produced for this song:

The album closes with “Surrealismo Tropical” a song with an incredible groove by an electric band with Rhodes, electric bass and electric guitar. The lyrics are inspired by author Robin Kelley’s (“Freedom Dreams”) belief that “to make a better world, we must first imagine it”.

“Sorte!” is a beautiful album with great compositions, meaningful lyrics (the booklet of the album contains English translations for all songs) and an incredible band performing on the highest level. 30 minutes of Brazilian Jazz music which I can really recommend.

Finally a playlist on Spotify to listen to the complete album:

Artist, CD-Reviews

Jay Lawrence: Sonic Paragon

CD-Cover-for-Sonic-768x768

An album that was released in August 2018 from drummer Jay Lawrence caught recently my attention. The major reason for that was the line-up of this album:

  • Jay Lawrence – drums
  • John Patituci – bass
  • Renee Rosnes – piano
  • Harry Allen – saxophone
  • Terell Stafford – trumpet
  • Anthony Wilson – guitar
  • Yotam Silberstein – guitar
  • Romero Lubambo – guitar

Three excellent guitar players, one of the best bass players on the scene and a great saxophonist for an album of a drummer: a very interesting  combination that works perfectly. The result is an album that contains a combination of originals, standards and a cover version of Jimi Hendrix’s “Crosstown Traffic”.  The same variety is equally found in the arrangements. You find easy grooves, swing tunes, different latin styles, straight jazz and ballads.

The album starts with “Full Moon in Havanna”, a soft and relaxed song, dominated by the saxophone and Romero Lubambo on acoustic guitar.

“What ‘ll I do” is an old Irving Berlin tune in an fantastic new arrangement featuring Jay Lawrence in the syncopated played melody. The solos are accompanied by a straight swinging band.

“Vamonos” comes with a samba groove and features Terell Stafford on trumpet and Yotam Silberstein on guitar. Jay Lawrence gets another chance to shine soloing over an extended montuno.

“Slide” is in contrast a very slow blues. We hear solos by John Patituci on bass, Renee Rosnes on piano and a outstanding plunger muted trumpet solo by Terell Stafford.

“Maria” from the musical “West Side Story” in a fantastic new latin version comes next. Nice grooving band again with Roberto Lubambo on acoustic guitar.

“Dayspring” is a soft ballad featuring Harry Allen on saxophone and Renee Rosnes on piano in two great solos.

“From Nadir to Zenith” is a heavy grooving tune with Terell Stafford on muted trumpet in an alternating solo with Anthony Wilson on guitar.

The title song “Sonic Paragon” comes next. This is a straight-ahead jazz song with impressive solos by Harry Allen on saxophone and Anthony Wilson on guitar.

“Tchoupitoulas” is a song with a special groove and sound, dominated by the trumpet and very much inspired by New Orleans brass band sound.

“Golden Ratio” is a modern jazz tune with sax and Yotam Silberstein on guitar playing the melody interrupted by an interlude in a Reggae groove, very sophisticated.

“Crosstown Traffic” by Jimi Hendrix in a modern jazz-style  up-tempo arrangement is the next song. Solos go to saxophone and Yotam Silberstein on guitar and their playing fits perfectly into this song. A drum solo tops this tune off.

The album closes with a easy swinging “My Winsome Consort” with a Monk-inspired piano solo by Renee Rosnes. Harry Allen plays a smooth saxophone solo and shows his versatility to adapt to different styles. An alternating bass and drum solo guarantee that this song gets it’s special touch.

Overall “Sonic Paragon” is a great album that captivated me with it’s perfect playing, it’s versatility and it’s surprising elements in every song. So take your time to listen to the songs carefully and you will detect the excellence of the material and the musicians.

Listen to the whole album with this playlist on Spotify: